Commissioned stories have been trickling in for the anthology I’m editing for Flame Tree, Climbing High: Speculative Stories of Female Ambition. It’s an exciting time! I can’t wait to see how everyone’s work fits together, including stories from the open submission call once I get to look through the shortlist as well.
May is a busy month in Brighton, with both the Fringe and Art Open Houses going on. I’ve been to some comedy and theatre performances at the Fringe, and every weekend I’ve walked around and popped in to a few of the open houses.
My favourite Fringe performance had to be Comedy for the Curious, with Robyn Perkins. Robyn explored the topic of motivation—what it is, and what causes it—along with a psychologist and a comedian who played off each other in entertaining ways. How so? Well, the comedian found out he had ADHD onstage! “Fun fact,” said the psychologist, “most Fringe performers have ADHD. They’re out-of-the-box thinkers.” A quiz, and revelations, ensued.
With warm weather, and a recent heat wave, the Fringe’s outdoor spaces have been great. Two of the parks turn into performance spaces, with decorations, free outdoor performances, and family activities to enjoy, including circus toys that I saw some kids playing with. An artsy, creative, communal spirit shines. I watched free aerial arts, listened to an outdoor DJ, and heard someone perform his great-grandfather’s poetry.

As for the art open houses? Sometimes, seeing the display spaces and homes is just as exciting as seeing the art. Look at those beautiful details!


Some of the open houses include gardens, shed studio spaces, and cake and tea you can buy and eat in those gardens. Did I have some? Do you even have to ask?

I saw such a variety of work, everything from fabric crafts to pottery to photography to paintings to sound art. As a creative, it’s encouraging to see that there’s room for such a range, and to appreciate this variety. Someday, I hope to have a little home art studio and make time to play in it. My own illustrations feature in my poetry collection The Heart Decided to Move, which came out last year. It’s a start!
My favourite work was Frances Doherty’s giant floral ceramic sculptures. Recently, she’s made some “chimaeras” combining different plants together in unlikely, yet visibly intriguing combinations.

Finally, I saw the “soft machines” sculptures along the Hove Promenade before they were taken down. A public art installation designed by Ivan Morison, with collaborator Heather Peak, “it explores the bodies that make a city, and the plurality of love, intimacy and desire between them.” There’s more information about this Brighton Festival commission here. The sculptures reminded me of fluffy monsters.

Here’s to sharing art with the world!
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