Tag: fiction

New Year, New Ewe

New Year story and bonus Christmas story

From Substack, January 5, 2026

Happy 2026! I wrote a New Year story to share with you all, set in the world of my cozy fantasy novel (soon to be in the editing stage before submissions).

I also had a holiday story called “Forest Creatures” published online on Christmas Day. It’s not a spicy tale per se, but it shares a venue with several and I read it previously at a Kinky Storytelling event, so take that as you will when it comes to readership. “Join us for a Christmas walk through the forest in this enchanting sapphic winter tale by Melanie Bell.” Here it is!

And here’s my New Year story for you to enjoy.

New Year, New Ewe

It was New Year’s Eve. Tim wandered around Brighton alone. Through the Laines, around back alleys, walking blindly. By the time he realized that nothing around him looked familiar, he felt it was too late to get his bearings. The shops looked interesting. Might as well poke around.

Healthy Habits, read a sign over a bright blue door. A peek through the windows revealed the usual rows of vitamins and supplements, along with an odd mishmash of fitness equipment, food, and who knows what. A stupid, hopeful voice in his head piped up: Maybe something in here will help me be less of a failure. Half listening to it, he stepped inside.

An old-fashioned bell rang at his arrival. A shiny red bicycle greeted him. Maybe he’d get into cycling in the new year. Or maybe not. He eyed the dumbbells – he already had some at home, and used them intermittently. He shook his head at the green smoothies and fruit-and-nut energy balls in the fridge. He knew from experience that they tasted like grass. Kaley had loved those sorts of things. But Kaley had left him.

“New year, new you,” he mumbled under his breath. “As if anyone gets a ‘new you’.”

“What’s that, love?” An elderly woman approached him, wearing a name badge. She moved more spryly than he’d expect of someone her age – in fact, she practically floated. Adults can’t float, Tim reminded himself. Then he realized how stupid that thought was. Children couldn’t float either, even if he’d imagined he could while playing Superman.

“Nothing.” Tim’s cheeks colored. He hadn’t expected anyone to hear him.

“You wait right here,” said the grey-haired, round-cheeked woman, departing soundlessly. How? She must be into all sorts of crazy fitness things, if she ran this shop.

As Tim browsed a shelf of vitamins, undecided on whether he needed any, the woman reappeared, holding a leash attached to a large and fluffy…

Dog? That wasn’t a dog. It was round, wooly, and white mixed with dove grey. Its tail was short, its ears pointed. “Baaa,” it said.

“You have a pet sheep?!” exclaimed Tim in delight. “Or is it a shop sheep? I like the sound of that – shop sheep!”

“You said you wanted a new ewe,” the shopkeeper grinned, “and Eunice here is looking for a home.”

Or maybe it was Ewe-nice? She didn’t spell it out.

“That’s not what I meant, and you know it,” said Tim as a chill crept down his spine. This situation was getting surreal.

“Do you have a garden?” the woman asked.

“Well… yes…” Tim had kept the house when Kaley left. He’d bought her half, leaving him with all the space and her with all the money. Now she was able to travel, like she’d always wanted. He saw her pictures on social media, of faraway cities and beaches, while he sat in the same old city by the same old beach.

“I married you because I was supposed to,” she’d told him at last. “Not because I ever wanted…”

“You never wanted to be here,” said Tim. She didn’t disagree.

“Then it’s all sorted,” the strange shopkeeper was saying in the present, and Tim had a terrifying feeling that he’d missed some important context while lost in his memories. “Here are her winter supplements.” He heaved a burlap bag at Tim, which he lifted tentatively, surprised to find it lighter than expected. Some sort of grain? He supposed she would also eat his…grass?

“And this is for her bedding.” She heaved a second sack his way.

This was madness. He didn’t want a sheep!

“Baaa,” said Eunice, her nose moving closer to the burlap bag. He pulled it out of the way.

“How much is she?” he asked.

“Forty-nine kilograms,” said the shopkeeper. “Very healthy.”

“No, I mean, how much does she cost?” That eerie feeling strengthened again. Tim’s skin was full of goosepimples. Had there been a person in front of him? Had they disappeared?

So Tim found himself walking home with two sacks over his shoulders and a sheep on a leash. Once outside the Healthy Habits shop, he recognized a nearby street and recovered his bearings. Eunice trotted obediently along after him. He supposed he would need to build her a fence so she didn’t run off. And did she need a barn or something? Well, he had some space in the garage…

As he strolled homeward, passersby approached to comment. “Is that your sheep?” “What’s her name?” “Can I pet her?” A pair of small children reached out to touch Eunice while their father watched nervously.

“So, Eunice,” said Tim once they arrived at his place, “I guess this is your new home. Why don’t I set up a place in the garage for you while I figure out if I need to build a fence in the yard or what.”

Kaley used to keep a work bench in the spot where Tim set down straw bedding. He put some grain in a bucket and filled a salad bowl with water. As Eunice ate and drank with the garage door safely closed behind her, Tim frantically searched online for information.

He called his friend Billy, who worked as a contractor, to put together the fence and shelter the internet said a sheep needed. “A shopkeeper gave you a what?” exclaimed Billy over the phone. He drove over as fast as he could. Eunice ran over to greet Billy as soon as he got out of the car, acting as if he had treats. He did.

“Hello, cutie.” Billy scratched behind Eunice’s ears. He looked up at Tim. “Are you sure you’re up for taking care of her?”

“I… suppose,” Tim grumbled.

“Well, new year, new ewe, innit?” Billy chuckled. He got to work on the fence.

Everybody loved Eunice. Tim was almost jealous.

On New Year’s Day, he did his usual video call with his parents. He thought of it as a duty, a depressing affair since Kaley’s departure without producing grandkids and his own persistent singleness, which bothered him more in the abstract sense – the feelings of failure, the hit to his status – than it did in the concrete, day-to-day sense of not having someone around.

This time, though, he had something to talk about. He turned his phone camera on the sheep.

“Isn’t she precious?” Tim’s parents explained. They were so distracted by her “fuzzy little ears” that they neglected to ask their usual probing questions.

Still, Tim let out a sigh of relief when the call was done. He turned to Eunice and patted her nose. For the first time in two years, he wasn’t alone for the new year.

That week, he had a date lined up with someone he’d matched with on an app. “I have great expectations for this one,” he proclaimed to Eunice as he filled her water bowl. “Oh, who am I kidding? I don’t.”

But when Fatima the accountant asked about his hobbies as they sat and sipped their coffee, Tim finally had something to say. He showed pictures of Eunice on his phone and got Fatima laughing when he shared the story of how she’d almost knocked him down as he brought her food. She even ordered a second coffee.

We may or may not be a fit, thought Tim at the end of the date, but she seemed happy to be there, in a way Kaley never did. Did I know how to recognize unhappiness when I saw it?

And there he was, thinking about his failure again. It had stayed out of focus for the whole date, when usually, when meeting women, that was all he could think about.

He rushed back home and checked on Eunice in her enclosure. That was his routine now, apart from work. Feed the sheep, water the sheep, check on the sheep. He had nightmares sometimes where something terrible happened to Eunice and it was his fault.

But now… had it?

She lay upside down on the grass, legs in the air. Tim hurried over. Her head was stretched out to the side. Maybe she was just sleeping? Did sheep sleep like that?

His phone told him a dire story: she may have rolled over, but sheep on their backs are stuck. They can’t get up by themselves; their stomach gets bloated, and they’ll die. How long had she been like this?

Tim had never rolled over a sheep before, nor imagined he’d have to. Nervously, he opened the fence and approached her. Eunice gave a pathetic bleat. Her belly looked puffy, her legs cartoonish.

Tim set his phone in the grass and tried to follow the diagram he’d found, placing his arms around Eunice’s shoulders and heaving her up. She was bulky and heavy. Sweat rolled down his back. But Eunice gave little resistance. After some awkward pulling and lugging, hands deep in her thick grey-white wool, he got the sheep right way up.

She wobbled at first, like a drunk. Her legs bowed. Tim worried there was something wrong with her, that he’d come home too late. But after a few staggering steps, she seemed back to normal.

Tim grabbed extra feed for her. “You could have died,” he said.

She was alright now. But what about tomorrow?

He checked on Eunice first thing in the morning and was relieved to see her standing upright. She ran toward him in greeting. “Baaa!”

“Baaa to you, too,” he said, scratching her chin. And wondering. And worrying. Had Billy been right? Was he not up to taking care of a sheep?

Did he even want to take care of a sheep?

There were so many steps he had to do that he hadn’t done yet. Registration. Veterinary care. Getting more food. Learning how to care for an animal from real live people, not his phone.

Eunice was loveable, but he hadn’t chosen her. He’d taken this sheep home in a sort of fever dream – perhaps because he was too polite to refuse.

Maybe that was how Kaley had felt about him.

But where else could Eunice go?

Every spare moment of that day, he looked for answers. He found a number of sanctuaries and rescues in the region, and began making phone calls. “I was given a sheep who needs a home,” he explained, “but I don’t think my garden is the right one for her.”

One sanctuary seemed especially welcoming and thorough. So Tim and Billy loaded Eunice in Billy’s truck and took a trip out to the countryside.

A black-and-white farmhouse sat surrounded by rolling green hills and tumbling fields where animals grazed. Horses nuzzled each other, cows chewed their cud, ducks milled about a pond, and a herd of sheep in many colors faced the road as their truck approached.

“Hello,” said a man in overalls and work boots as they approached. “I’m Michael, owner of the sanctuary.”

And he and Tim were shaking hands before Tim had realized he’d moved. Had he walked up, or had he floated?

“Let’s have a look at Eunice, shall we?”

Michael and Eunice took to each other right away, and the more Tim saw of the farm, the more he liked it. He knew the sheep would be safe and happy here, among a friendly herd.

Even if part of him would miss her.

“Do you take visitors?” he asked. “Or volunteers?”

So, to Billy’s amusement, Tim began spending every other Saturday at an animal sanctuary, tending to cows, chickens, and donkeys. He may not have had his own kids, but he looked after plenty – of the goat kind. He made new friends among the volunteers. And he always gave Eunice a fond scratch.

Then he drove home and rested, content in his own company.

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Keeping It Simple for NaNoWriMo

One of my writers’ groups had a recent discussion about how easy it is to make a novel too complicated. This is a challenge I encounter a lot. 

I love worldbuilding and complex ideas. When I attended Julie Cohen’s writing retreat in France, she called me out for it: “Keep it simple, stupid!” I need to be able to describe what I’m writing in a straightforward way. Once I’ve gotten to the essence of it, I can complexify from there!

I’m doing NaNoWriMo again this year, and I’m starting something new. My first idea was one I’ve dreamed about since the pandemic, set in a beautiful, complicated world. I’ve tried to begin it a few times, but I haven’t been able to make a plot work with these characters and setting.

I hope to write that story someday. It might be one of those ideas that isn’t quite ready yet, one that I will someday gain the skills to bring to life.

But I had a second idea while brainstorming. This one’s simpler and more straightforward. I know how to describe it and make it sound interesting to listeners. I know how to structure it. 

That’s the one I’m writing.

Do you tend to overcomplicate your writing, too? What do you do to keep things clear?

Here are a few principles that have helped me take my narratives back to basics.

  • Know what the point of your story is.
  • Be able to describe it in a sentence.
  • Know what the stakes are – and feel emotionally invested, not confused.
  • Pitch your story to others. See if it a) makes sense to them and b) sounds interesting.
  • Make sure you want to write this story. A novel is a commitment!

Happy NaNoWriMo. Here’s to keeping things simple!

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Happy One-Year Anniversary to Chasing Harmony!

My first novel, Chasing Harmony, has been out for a year now! It’s now available in ebook format as well as in paperback, which I’m excited about because it means more people can read it. It took 10 years for this strange, literary, bisexual YA coming-of-age story to find a publisher, and I’m grateful it has a good home.  

My publisher, Read Furiously, has been wonderful to work with. One reason I chose them is that they donate a portion of royalties to charity, primarily literacy charities. Some of you might remember that my first foray into publication was self-publishing two poetry books as a teenager to raise money for charities… back in the pre-digital era of the early 2000s, when self-publishing meant applying for a grant, giving your files to the printer, and having them print the books out! I got extra “imperfect” copies of my first book, Tears for the World, to sell, because a hair got stuck in the printing press. 

Tears for the World raised money for Farmers Helping Farmers, a Prince Edward Island-based organization which helps farmers in Kenya, while Fire in the Sky raised money for a local literacy organization. With Chasing Harmony helping a similar cause, I feel like things have come full circle. 

In this whirlwind of a year, Chasing Harmony has been featured in an Autostraddle interview, on Reads Rainbow’s lists of July-December 2022 LGBT releases and Contemporary releases, and on CLMP’s end of year list for children’s and YA books of 2022. I’ve written craft articles for DIY MFA on what I’ve learned from the novel: how to write a coming of age story and how to craft a novel with alternating timelines. And at the Conscious Living Center, I shared my process of facing personal shadows as I wrote.

Chasing Harmony has a Spotify playlist and a book trailer:

It always makes me happy when I hear from someone who’s read Chasing Harmony, especially if they connected with the characters. I poured my heart into this story.

Read Furiously has scheduled a virtual book tour to celebrate Chasing Harmony’s anniversary, and if you’d like a review copy to feature a review, guest post, or interview on your blog, you can request one from Goddess Fish Promotions here. There will also be gift card giveaways! Stay tuned for more on the tour which is happening from August 28 – September 22! 

Here are Read Furiously’s kind words on my book’s anniversary:

“Last July we introduced a wonderful young adult novel filled with music, vulnerability, and lost love. One year later, we are still haunted and inspired by Anna Stern’s search for her authentic self.

Happy one year anniversary to CHASING HARMONY by Melanie Bell. If you haven’t experienced the magic of Anna’s musical talent, or haven’t fallen in love with Liss, or danced with Ay-a in a forest kingdom, we recommend making CHASING HARMONY a must read this summer.

We have big plans to celebrate one year – stay tuned!

CHASING HARMONY is available wherever books are sold.”

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Book Review: Agony’s Lodestone by Laura Keating

Laura Keating, a fellow student from the University of New Brunswick’s Renaissance College program, is both a lovely person and a stellar writer. I read some of her work during our student days, and both of us have since been doing our best in the literary trenches. She’s carved out a niche and a name for herself in horror, and her debut novella, Agony’s Lodestone, came out in April. I couldn’t have been more excited to read it, and the book more than delivered on its premise.

To quote the publisher’s description:

Laura Keating‘s debut novella, AGONY’S LODESTONE, wraps you in its Weird, cold embrace, blending elements of Found Footage horror, fraught family drama, and a creepy-ass Canadian wilderness where time and space just won’t sit still.

-Tenebrous Press

Like me, Keating is from Atlantic Canada – more specifically, she hails from St. Andrews, New Brunswick. The region’s landscape plays a key feature in her haunting novella, with New Brunswick’s renowned “highest tides in the world” echoing through the caves in Cannon Park with a sound like cannon fire. The uncanny setting adds just the right amount of creepiness to the narrative. More on this later.

Agony’s Lodestone begins with a not entirely welcome sibling reunion. Survivalist loner Aggie has been toughing it on her own since the disappearance of her older sister, Joanne, a star swimmer. Her younger brother, Bailey, has capitalized on this disappearance with a flashy social media presence and a TV show seeking to solve its mystery. Their older brother, Alex, has devoted himself to raising a family. The three remaining siblings are all obviously grieving in their own ways, and their coping techniques rub against each other uncomfortably.

Bailey barges back into his siblings’ lives with a revelation: he’s found a videotape of Joanne. The VHS comes from security footage filmed at Cannon Park on the day Joanne left to walk their dog. The dog returned; the sister didn’t. On the tape, Joanne appears to flicker in and out of existence. And upon repeated viewing, the tape changes in terrifying ways. 

The siblings, of course, must go to the park to see if they can uncover the truth behind their sister’s disappearance. Not one of them will emerge unscathed.

Keating crafts both character and setting with a deft touch. The siblings’ wounds feel fresh, and the New Brunswick wilderness is portrayed in unnerving detail, from the booming of unseen waves to the snapping of wood. The three characters find themselves trapped in the same uncanny reality that took their sister from them years ago, a place where time and space repeat themselves. They must use their wits to navigate this landscape that is never fully explained. The novella never loses sight of its emotional core, as much of the time, the siblings’ bruised hearts make their decisions for them. Creepy illustrations accentuate the story.

I’m looking forward to Laura Keating’s next book. For now, Agony’s Lodestone comes highly recommended!

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Book review: A Consuming Fire by Laura E. Weymouth

“I don’t want to be an offering, she thought with a new and sharp urgency. I never have, nor a prayer, either. I will be a knife in the dark or nothing, no matter the cost.”

–A Consuming Fire, Laura E. Weymouth

What would you do if a god killed your sister? For Anya Astraea, the answer is clear: set out to murder him in retaliation.

I’ve enjoyed Laura E. Weymouth’s books since I read the first one, a unique portal fantasy called The Light Between Worlds. Weymouth writes historical fantasy for young adults. Her debut novel is a poignant take on Narnia and the devastating emotional consequences of growing up in another world, then being sent back to this one. 

She has four books out now. Her latest is A Consuming Fire, and she was kind enough to share an ARC with me. 

Reader, I loved it. There’s a consistent theme of anger across her last two novels. Women’s anger. Righteous anger. The anger of people who are overlooked, underestimated, and trampled underfoot by oppressive structures and figures who hold excess power. The anger of the small in a big world who stand up one day and declare, “Enough.”

In A Consuming Fire, a town called Weatherell is expected to periodically send a girl as a living sacrifice to appease a hostile god. These “Weatherell girls,” as they are called, must offer up what the mountain god demands, whether it’s a valued body part or a core personality trait. Protagonist Anya is intimately familiar with the lives of these sacrificial women: her mother was one of them, giving up her hands, and now her bold and adventurous twin sister, Ilva, is determined to make the journey up the mountain.  

Ilva returns from the mountaintop drained of life force, and Anya watches her die. Another sacrifice is needed. But Ilva has made one last request of her sister: “Don’t let anyone else go.” And Anya, who’s long been incensed at the injustice of the system, is determined to follow that request. She sets off toward the mountain, not to offer herself to the god but to kill him.

Along the way, Anya falls in with a changeling thief and a group of others, including charming wanderers and a lovable dog, while playing a cat-and-mouse game with religious officials called the Elect who want to use her for their own ends. Everyone is hiding secrets of their own that, when revealed, will expand Anya’s understanding of her world. Ilva’s ghost remains a frequent visitor, urging her on and reminding her of her mission’s stakes. If she fails, countless girls will suffer; if she succeeds, she might spare others from suffering as her mother and sister did ever again. 

A Consuming Fire carries a foreboding undertone, with deft touches such as bone charms made from dead Weatherell girls adding to the atmosphere and sense that this world is askew. Psychological insight blends with lyrical phrasing and keenly felt emotion throughout. 

There are religious themes and features in this book that won’t be for everyone. After all, it is not set in a fantasy world but in an altered variant of the historical UK. But if you enjoy or don’t mind those aspects, you’ll find a lot to appreciate in the novel when it comes to the nature of power and agency. 

Come join Anya on her vengeful climb up the mountain and witness how powerful a woman wronged can become!

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NaNoWriMo Was a Wild Time

I started NaNoWriMo (National Novel Writing Month) this November as an incentive to finish my fantasy novel, the one I’d been working on for a year and a half. At 55,000 words in, it was rolling along toward a conclusion, but it hadn’t gotten there yet. When I applied last year for a grant I didn’t receive, I listed November as a planned deadline for completing my novel draft. Without funding, I shelved some of my other project ideas, but I thought – hoped – the novel would prove doable, at least.

I’d found renewed energy for the project on my writing retreat in France this September. Our facilitator, best-selling novelist Julie Cohen, had told me the structure wasn’t working and encouraged me to restructure the whole thing. Which I did, one memorable day, with three colors of post-it notes sprawled across a bed. Those post-its now live in a notebook of mine, but it was an interesting experience to have them all over the furniture, and to think deeply about how my story needed to move forward.

Then, in October, I moved home, so not a lot of writing happened for a month. A lot of furniture shopping and adjustment happened instead. By the time November rolled around, my flat was furnished and felt more like an abode than an empty space. I was ready to come back to the novel.

Much like the writing retreat, so vivid in recent memory, I wasn’t sure how much I’d get done during NaNoWriMo. I’d done a version of it once, finishing a novella during lockdown in 2020. As proud as I felt of the novella at the time, that was 25,000 words, not 50,000 (as per the NaNo goal), and not all of them were written in November. (Although given the challenges of lockdown, I would give myself an A+ that year!) I even blogged about different ways of getting inspired for the monthly challenge, before attempting to tackle it myself.

But 50,000 words is a lot. I’d always side-eyed the challenge or thought it best suited to speedier writers than myself. I like to line edit as I go. Some writers speak of silencing the inner editor and writing a messy first draft. After doing multiple editing jobs, my “inner editor” is a professional with 10+ years of experience, so I usually find that her input makes my drafts better. Thus, I let her do her thing. But I came into this challenge believing that I wasn’t fast.

Here’s the great thing about self-awareness: it helps you navigate the world and find the right contexts. The downside is that the self you’ve invested in being aware of can change, and your understanding has to alter accordingly to keep up. Sometimes knowing your limits is a form of self-care, and sometimes it’s simply fear.

I had a relatively quiet schedule in November, allowing me to try the challenge. “I’ll finish my novel by the end of the month,” I thought, somewhat apprehensively. I suspected it would take less than the 50K to get to the end of my allotted plot. 

In fact, it did. It only took 32K. I finished it on the 15th of the month. 

My past self would probably read that line with goggle-eyes and ask, “How?!” The first thing I did was join the regional NaNo group. They had an online community where participants chatted and held events regularly. People seemed friendly, and it was exciting to be involved in something so intense with a whole bunch of other people, cheering each other on. There were two in-person events as well. I couldn’t make the first one, but the second, at the end of the month, was packed full of people typing furiously. The Municipal Liaisons brought stickers, an analog spreadsheet, a jar full of writing prompts, and a plastic dragon to place atop the laptop of whoever won the latest word war.

Most of our events centered around “word wars,” virtual sprints (using a tool called Sprinto on a Discord forum) where people join and compete to write the most words. I often enjoy writing in longer periods where I can focus and lose track of time, but the sprints proved useful and motivating. They provided accountability and a social aspect to the often solitary activity of writing.

Taking part in a few long writing days with the NaNo group resulted in a lot of writing. Once I finished my novel, I still had words – and half a month of time – to spare. Before NaNo, I’d planned a short story set in the same fantasy world as my novel but hadn’t had time to write it. I drafted that story – another 7,000 words. I still had more words left. I’d had a few ideas in mind for what to work on next, but I ended up starting something different and am now drafting a science fiction novel. 

My highlights of the NaNo experience were meeting a group of supportive and fascinating people on the Discord (and in person), finishing my novel draft (!), hitting 50K words on the 21st, and the intrinsic reward of devoting more time and energy to writing. It’s so easy to sideline personal projects. NaNoWriMo affords recognition to the act of committing to one. It felt really nice to “win” something, even if in practice, it means that I got… a virtual badge. It’s not every day that adults have a chance to get a prize, let alone one that validates doing something you want to do. 

For November Me, writing facilitated mental health. I write a little most days, and of course I write for my job, but November operated on another level. There was one day this month when I didn’t write, and it felt like a slump. I noticed that and wrote all the other days, even if the time was short and the word count was low. I also appreciated allowing myself long focus days when I didn’t push myself to get anything “more important” done. The bills and cleaning could wait until the next day.

Maybe I don’t always work as slowly as I’d believed. Maybe I really can be as productive as I imagined being… at least sometimes. My inner editor slowed down, but remained in place. I made more typos as I sped up, and then fixed them, for instance. And my hyper-focused month felt great!

I had a freelance project in late November, which pushed me to meet the word count goal more quickly once I realized it was feasible for me to meet it. I also attended opening night for my short play, which was part of a December showcase at the Tower Theatre. I kept writing small amounts of words and adding to the science fiction story as well as writing other things. I got feedback on the short story and was pleasantly surprised by how well others thought it worked despite the speed of its drafting. I also enjoyed meeting new people and hope to stay involved with the online community throughout the year.

So, I’d say NaNoWriMo was a success. I hope to do it again next year, and to maintain some of the writing habits I acquired in my daily life. I guess this old dog could learn new tricks after all! 

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An Author Interview and a Writing Retreat in France

Castillon La Bataille, in the South of France

I’m delighted to have an author interview on Autostraddle this month! Darcy read my YA novel, Chasing Harmony, and asked thoughtful questions about it. I got to talk about music, the messiness of growing up queer, where I got my ideas, and what songs might be on Anna’s playlist right now if she were a real person.

“When I was younger, successes and failures felt huge, and this is the case for Anna.”

-Author Melanie Bell on her YA Novel “Chasing Harmony” and the Messy Process of Growing Up Queer

You can check out the interview here!

I’m writing this from an old house in Castillon, in the South of France. I’ve been saying for ages that I’d go on a writing retreat someday, and I’ve finally made it out to one. I first learned about Chez Castillon at a conference five years ago. It’s an 18th century house that hosts creative retreats.

For a week, I’ve been learning from bestselling author Julie Cohen and working with a great group of fellow writers. We’ve had one-on-one sessions, a tutorial about plotting with post-it notes, and lots of time to work on whatever we’re working on. That, or lounge by the pool and iron out the kinks in our stories by getting input from brilliant peers.

I wasn’t sure what to expect, though I figured that time in France would be brilliant even if I got no writing done! And it is. Great food, great wine, a gorgeous setting, summer-like weather, lovely people, charming animals, and a market this morning. I’ve been running by the river, strolling around the shops, and swimming in the pool. The house is full of books, and it’s nice to have a context where I’m speaking and reading in French, even as I’m writing in English. The hosts, Mickey and Janie Millman, are generous, and Janie’s a wonderful author in her own right.

But I’ve also gotten things done. I’ve restructured the manuscript I’m working on and added some chapters. I’ve refined summaries and queries in an effort to get to the point. “Keep it simple, stupid!” says Julie. (I blushed a little, as I used to teach my university students this. Guilty as charged!) So, would I recommend trying out a writing retreat if you have the time and resources? I’d certainly recommend this one!

Many thanks to Julie, Mickey, Janie, and my cohort of writers! I’ve learned something from everyone here. And now I’m off to soak in more sun before my plane takes off tomorrow!

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Chasing Harmony Playlist, Trailer, and Publication

Chasing Harmony, my YA novel about a musical prodigy, is now out in paperback! Here I am with my box of author copies.

My publisher, Read Furiously, did a wonderful job putting the book together, including little music-related details in the design. They are also donating a portion of proceeds to literacy organizations.

It was a pleasant and delightful shock to open a book and read lines I’ve pored over on screen for years, available in a new context for readers to enjoy.

My book has a Spotify playlist! If you want to listen to many of the songs mentioned in Chasing Harmony, from the characters’ classical performance pieces to 90s tunes they hear on the radio, it’s all here (sadly, the imaginary songs from imaginary bands couldn’t be included).

There’s also a book trailer where I talk about the inspiration behind the title. You can check it out below.

Chasing Harmony is available wherever books are sold. Here are some up-to-date purchase links:

Read Furiously 
Bookshop.org
Barnes & Noble
Amazon
Waterstones

In less happy news, Dream Signs’ publisher is no longer in business and the book is currently out of stock. I am waiting on the files and hope to republish it down the line.

As with Anna’s story in Chasing Harmony, writing and publishing is full of successes and failures, and one often goes along with the other. Anna discovers that it’s one thing to love an art form, but the real challenge comes from being human and living your life.

Here’s to life! And here’s to new books!

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My Novel Chasing Harmony Is Out July 19!

In 2009, I started writing a novel while traveling across Canada. I was thinking about art and failure and how life seldom meets our expectations. I finished the manuscript while studying Creative Writing at Concordia University in Montreal, went through several drafts, and over a decade later, I’m delighted that the book found a home.

My YA novel, Chasing Harmony, is available for pre-order now and releases on July 19! The publisher is Read Furiously, a small press which donates a substantial portion of proceeds to literacy charities. They have shown a wonderful level of care for my book. Take a look at the cover and layout and you’ll see what I mean.

I’m honored that Reads Rainbow has featured Chasing Harmony on their list of Contemporary LGBTQ+ releases this July. (The main character is bisexual.)

Here’s what the book is about.

“What happens when the music stops?

Since she was a child, piano prodigy Anna Stern has always stood out. As she becomes a teenager, Anna struggles to find her identity without the soundtrack of sonatas and concertos. There’s also the worry that comes with the crushing expectations of her musical gift and her parents’ imploding marriage.

Anna finds refuge in her best friend Liss, who is full of magic and escape plans, and the mysterious new boy at school… which becomes more complicated when she develops feelings for both of them. Most importantly, Anna has concerts to perform that will determine the course of her future as the haunting spectre of burnout lurks close by. As everything builds to a crescendo, what follows is an authentic life in the making.

Melanie Bell has created a compelling coming-of-age story for those that can relate to the search for untapped potential. Told in alternating timelines, Chasing Harmony reminds us of the exhilarating feeling that comes with hearing your heart’s song.”

And here are some places it’s available for pre-order:

The Furious Reader – https://readfuriously.com/products/chasing-harmony
Bookshop – https://bookshop.org/a/3392/9781737175896
Barnes & Noble – https://www.barnesandnoble.com/w/chasing-harmony-melanie-bell/1141640134?ean=9781737175896
Amazon – https://amzn.to/3nKS1rK

You can find Chasing Harmony wherever books are sold. Soon the physical copies will be in bookstores too!

In other publishing news this month, I have a poem in the Spoon Knife 6: Rest Stop anthology, and a story (about a woman who inherits a family home in England – but it comes with a chilling catch) in Cossmass Infinities, Issue 9.

I can’t wait for readers to pick up Chasing Harmony, and I hope some of you will see yourselves reflected in Anna’s journey!

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The Story in Your Head vs. the Story on the Page

Before you sit down at your computer or with your notebook to start writing, a story swirls around in your head. It’s the story you want to write, the story you need to write. And the story in your head is fabulous. 

The story in your head is as twisty and passionate as the latest bestseller. It makes readers laugh and cry. It’s all about love and power and the world and contains every feeling that’s ever swept through your body. (When you start to put the story on the page, it’s probably about a kitten.) 

The story in your head outlasts Western civilization. It’s the classic of all classics. People on far-off future planets get assigned your text in class and groan. You have attained the immortality of homework.

The story in your head has gaps. And it isn’t necessarily your job to fill these gaps, when the story lives only in your head. You can simply hop elsewhere, to another part of it, and entertain yourself. Your story can be all lavish descriptions of sylvan forests and ball gowns, and that will be fine. No reader’s going to complain about a story that isn’t written down.

But without writing any of it down, there will be no story, not really. No one else can read it. No one will connect with it. And if there’s any truth to your hunch that the story in your head is worth telling, then your own rattling mind is a lonely place to keep that story, isn’t it?

If you want the story in your head to come to life, you’ve got to write it down. (Or share or tell it in some other form; there are many valid choices.) However, it will change in the telling. It might veer off in a different direction than intended. Maybe it’ll even be a better direction, but it will take work to get there.

In your head, a story can write itself in moments. In practice, if the story is long and complex, it takes hours, days, maybe even years. It may take several revisions. Parts will fall off of the story in your head as it assumes material form, and new pieces will attach themselves to it. 

The story in your head was exciting, maybe even perfect. The story on the page is imperfect. But you aren’t going to have a story if you don’t write it down. And good stories deserve to be told.

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