Tag: writer

Joan: The Musical – Success and Encore! Plus Book News

It’s an exhilarating feeling, watching in the audience as actors embody characters you created, speak words you imagined, and belt out music you created.

But my co-writer Hannah Doyle and I weren’t the only ones getting chills during the opening weekend (May 3-4) of Joan: The Musical in the Brighton Fringe. Some of the audience members shared that it made them cry. Others left quoting the lines and humming the tunes.

I couldn’t have imagined a better weekend for Joan, where BOTH DAYS SOLD OUT!

Except for this – we were offered an opportunity to do a THIRD performance! It’s now happening on Monday, May 26, at 6 pm, once again at The Actors in Brighton.

Grab your ticket now for the May 26 performance of JOAN: https://www.brightonfringe.org/events/joan-the-musical/

Joan had some wonderful reviews.

From Brighton on the Inside:

It’s truly magical when the stars align and you end up seeing something that takes your breath away. Joan The Musical by Melanie Bell and Hannah Doyle is a triumphant tale about a woman’s dwindling confidence and her journey of self-discovery. A tale of despair and sadness, followed by joy and karma. With sequins, hot pink leggings, squats and box breathing. All set to an amazing original musical score.

From View from the Gods:

This is a sweet-toned musical about self-affirmation, new discovery and magical singing that works. Lyrics and songs are the kind you’d hear in a Southwark Playhouse musical: easy melodies, wittily syncopated around witty lyrics… They’ve clearly proved themselves as a writing team, and it’ll be fascinating to see where they go next.

Co-writer/producer Hannah Doyle and lead actress Geraldine Afifi spoke about the show on an episode The Brighton Babbler podcast, which also includes one of the songs! You can listen to it here.

We’re now looking for opportunities to develop the show beyond the Brighton Fringe. Feel free to be in touch if you know of any possible connections!

The cast and creative team

Book Events and News

The book launch for my new poetry collection The Heart Decided to Move went well, and I’m in the process of setting up more readings and events. For my next one, I’m coming to CANADA!

Poetry Reading at The Flying Canoe Bookstore

1-110 Roseberry Street, Campbellton, New Brunswick, Canada
June 6, 2-4 pm

Join me for a poetry reading, book signing, and snacks at a gem of a bookstore that offers “a space where anyone can feel safe and free to let their geek flag fly”!

Reading at The Heart Decided to Move book launch

My copies of the Whispers in the Earth: World Folklore Reimagined anthology arrived and they’re so beautiful! The book features 20 folklore-inspired stories, including one of mine, and hand-printed linocut illustrations. There may still be a few copies available on The Broken Binding’s website, so check here if you’re interested in ordering a paperback or a hardback with sprayed edges!

Whispers in the Earth anthology, with the linocut illustration for my story

My poem “In Which Much Has Changed” has been (re-)published in issue 49 of QWERTY magazine, the “No” issue, along with other innovative poems and stories. You can order one here if you like.

And in final book news, a recommendation! I had the honor of giving some preliminary input on the English edition of Monika Orski’s book about leading highly intelligent people – which can be trickier than it looks! And the book is out now.

The Art of Herding Cats

Part 1: Learning by Doing Leadership
By Monika Orski

Leading highly intelligent individuals can be both an immensely rewarding and challenging experience. When those individuals are also volunteers, the complexity of leadership increases even more.

In this thought-provoking book, a former national chair of Mensa Sweden shares valuable insights and practical lessons drawn from years of experience leading within one of the world’s most intellectually gifted communities. With Mensa being a largely volunteer-driven organization, it offers a rare environment to explore leadership in its most nuanced and challenging form, also know as herding cats.

You will learn about leadership by sugar, explanations adapted for the fast thinkers, and how a character from a children’s book can help. Plus some other things you might not yet know that you want to know. There are even some attempts at humour.

Ideal for leaders, managers, and anyone working with high-performing or highly autonomous teams of professionals or volunteers, The Art of Herding Cats guides you through doing the mostly impossible and how to enjoy it.

You can purchase a copy here.

Whew, that was a lot! I’ll catch you next time, when I’ve hopefully had time to catch my breath!

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Happy Book Birthday!

My poetry collection The Heart Decided to Move is out in the world now!

“A poignant exploration of self-discovery, The Heart Decided to Move captures the author’s transformative journey as she takes the life-changing step of relocating to a new country. Through letters, poetry, and reflective prose, the work weaves together a tapestry of language, emotion, and identity. Each piece invites readers to explore the complexity of what it means to leave behind one’s homeland in search of a true sense of belonging. Follow Melanie Bell as she experiences moments of culture shock, surviving a pandemic in her new home, and joyful moments of worldly travel, all told in snapshots filled with humor and heart.”

You can order your copy here or wherever books are sold!

Or, if you’re in Brighton, come along to the book launch on April 19!

Poetry Book Launch: The Heart Decided to Move

April 19, 6-8 pm, The Queery

In 2017, Canadian author Melanie Bell moved to the UK on an ancestry visa. Her new poetry collection, The Heart Decided to Move, shares the story of that journey, from moments of culture shock and cross-cultural delight to surviving a pandemic in an unfamiliar place. The book incorporates illustrations, prose, and travel poems from far and wide.

Join us to celebrate the launch of this collection and pick up a signed copy!

Tickets here

In further news, the Whispers in the Earth: World Folklore Reimagined anthology is out, featuring my Prince Edward Island ghost ship story, among a collection of 20 tales inspired by myths and legends from around the world, and illustrated with beautiful linocut prints!

The editor, Gabriela Houston, is also a prolific fantasy author. Her latest novel, The Bone Roots, is a haunting, beautiful read featuring Slavic folklore, motherhood, fox thieves, and gods. I read an ARC and thought, “I wish I could have written that!” So, if you’re looking for something new to read, check it out!

The Bone Roots

Rehearsals for Joan: The Musical continue in preparation for performance in the Brighton Fringe on 3 and 4 May. My co-writer Hannah Doyle and lead actress Geraldine Afifi just did an interview about the show on The Brighton Babbler podcast which also includes a song from the show, “Little Bird.” You can listen to it here!

If you’re local, come join us and see it live next month!

72-year-old Joan has it all. A glittering past as a West End dancer, a chocolate-box maisonette in Seven Dials, and fantastic hair. There’s one thing she doesn’t have, though: the power of self-belief.

Bruised and scorned by her ex-husband’s wayward ways, Joan tumbles down a rabbit hole that brings her face to face with her tattered confidence. Can Joan find her way back to the surface? Or is she destined to languish in the depths of self-care hell?

Joan: The Musical will take the stage at The Actors in Brighton on 3 and 4 May, at 1.30pm. You can get your tickets here!

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What the London Festival of Writing Was Like

I’m back from another busy weekend, in London this time. It was my first time attending an event from Jericho Writers, which offers writing conferences and courses in the UK. I went to the weekend-long London Festival of Writing.

If you’ve been to a conference, you know a bit of what to expect: talks, buffet lines, networking. This one stood out because it featured a writing competition and a chance to meet one on one with literary agents.

On Saturday morning, I arrived to this view of the Tower of London flanked by shining modern towers looming over the Thames.

The keynote was delivered by bestselling crime novelist Vaseem Khan, who spoke about the “ingredients” that make a bestseller and shared his journey. He found success after working in India and writing about a setting that was fresh and unique for his audience. He also researched and created videos and a PDF guide about writing cultural diversity in fiction, which may interest some of you.

I met with two literary agents who had reviewed my query package and offered valuable feedback on what’s working well and what to improve. The first evening ended with a gala dinner and a competition called Friday Night Live (but on Saturday), where the finalists read the opening scenes of their novels to the room and attendees voted to choose a winner. Agents gave each finalist brief feedback onstage, and a few of them wanted to see the rest of the manuscript.

I attended sessions on crafting effective opening chapters in fantasy and science fiction, self-editing your novel, writing for children, juggling writing and a day job, and more.

Here’s some of my favorite advice from them.

Esmie Jikiemi-Pearson’s advice on opening chapters included moving from the norm of the world to the change that happens in it, identifying what the character stands to lose or gain (and there are effective stories where a protagonist starts off with little left to lose!), and planning your character’s emotional arc. I picked up a copy of her epic science fantasy novel, The Principle of Moments, and can’t wait to read it!

Holly Seddon’s talk on the writer/day job juggle offered practical tips for managing your time when working in both capacities. She encouraged us to think of ourselves as fitting our job around writing, rather than vice versa. My favorite ideas include finding ways to write in available slots of time (write on your phone, think about your story, etc.), making sure to schedule time for rest, and dividing your word count by available days to give yourself a deadline. Holly and fellow author Gillian McAllister have a fun and insightful podcast called the Honest Authors’ Podcast, which I’d recommend if you’re looking for something new to listen to.

Children’s author Eve Ainsworth offered a warm-hearted talk on writing for young readers. Write what you know, she advised; write what you love; and write what you want to see more of, whether it be a social issue or a niche topic of interest. For children, it’s often characters that grab and hold their attention. Eve sent off her first submission to Penguin at age 7 and it actually went into an acquisition meeting(!), though it took her many more years to find a path to publication. Keep writing, she encouraged us, and keep reading.

Marve Michael Anson, who has a forthcoming epic fantasy trilogy inspired by her Yoruba culture, gave a fantastic workshop on fantasy and science fiction worldbuilding with a long list of questions to think about: your world’s cosmology and metaphysics, ecology and biology, culture, the consequences of any changes you make, and more. We did an exercise using a picture as a springboard for making up a world, and found that our ideas were all different. Keep that in mind if you’re worried about someone “stealing your idea,” or about your concept being derivative.

Marve also gave the closing keynote along with her agent, Kesia Lupo. Hers is the kind of success story that rarely happens but can be inspiring to hear about. She attended several Jericho events over the years and was in the running for some of the awards. After self-publishing a thriller, she found an agent for her fantasy novel and got a 6-figure, 3-book deal!

The payments for these deals are spread out over the years, so it’s not as huge of a pot of money up front as it sounds, but her whole story is epic, with the acquiring editor going from “I love it and will take it to the meeting” to an offer of that scale in 48 hours. Her book is called Firstborn of the Sun and I hope to attend the launch event this fall, which will be a big Yoruba-style party.

I was impressed with my first taste of Jericho Writers’ offerings. They’re practical, business minded, and encouraging. Being published put me in a minority among attendees, but the prevailing feeling was that many others can and will get there. In this challenging industry, it’s wonderful not only to hear that message of “You can do it!” but to see hundreds of people coming together to help and support emerging writers in getting there.

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New Site and Folklore Anthology

I’ve been busy this month updating my website and social media. It’s a work in progress, to be sure, but it seemed like time to move on from the old “Inspire Envisioning” business name.

My new social media handles are:

Facebook: https://www.facebook.com/MelanieBellWrites

Instagram: https://www.instagram.com/melaniebellwrites/

Twitter/X: @InspireEnvision

I’ve started a Substack newsletter, with a free story for subscribers: https://melaniebellwrites.substack.com/ I’m currently on a writing retreat in the Maasai Mara, Kenya, which is amazing, and I’m writing about it on Substack.

I’m thrilled to have a story in an illustrated world folklore anthology coming out later this year! Whispers in the Earth: World Folklore Reimagined had a Kickstarter go up just a couple days ago, and amazingly, IT’S ALREADY FUNDED! It’s happening! Now we’re onto the stretch goals, which will make it possible for us writers to get paid.

The Kickstarter page is here, and below is more information about this beautiful book that I’m proud to be part of.

Whispers in the Earth: World Folklore Reimagined is a collection of 20 short stories inspired by myths and legends from around the world. 

Hand-printed linocut illustrations by Gabriela Houston breathe life into every fantastical world with a unique work of art, carved into lino, inked and printed by hand.

Kickstarter perks range from a stunning super-deluxe edition to affordable paperbacks and ebooks, so there’s a tier for every budget. Plus, exclusive limited-edition original prints are available for the true folklore fanatics.

This project began with a single linocut and a spark of inspiration. Now, it’s a collaboration of passionate storytellers and artists, brought to life by Broken Binding, a cool indie bookshop.

The anthology is illustrated throughout with linocut prints, with the print editions additionally benefitting from rich margin decorations. 

Contributors include #1 Sunday Times Bestselling author Eliza Chan, bestselling author of The Witch’s Heart Genevieve Gornichec, Tweets from Tahrir co-editor Nadia Idle, and more.

My Prince Edward Island ghost ship tale is in the collection, along with stories of Anansi, dragons, ancient Egyptian gods. 

Folklore changes and adapts. As people travel, so do their stories, taking on new meanings and blending with other traditions. With a diverse group of authors, we explore how folktales grow and mix in our globalized world.

The anthology’s editor and illustrator, Gabriela Houston, shares how and why the project came to be in an interview on The Silent Reviewer blog.

Here’s the replay of our virtual launch event where you can listen to contributors’ thoughts on the value of ancient stories in a modern world.

Please pledge and share if you can! I’ve ordered a deluxe hardback with sprayed edges, and if you like gorgeous special edition books, you can too. 😊

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The Collaborative Process of Making a Play

Three actors prepare to take their (fictional) IQ test.

This month, I’ll have a play performed at London’s Tower Theatre for the second time. It’s been a massively collaborative process to get it there!

Last year, my short play The Pictures of Dora Gray was one of five chosen for the Writers’ Room showcase, featuring new writing from the Tower Theatre’s playwriting group. I’ve been a part of that group for two years now, meeting monthly. I’ve learned an immense amount from the experience, and it’s been great fun!

My fellow playwrights have gone on to produce, to direct, and to have full-length productions put on. Dora Gray was performed twice – at the showcase, and at the Barons Court Theatre’s scratch night. It was wonderful to see two different casts’ and directors’ takes on it. And the Writers’ Room showcase was the Tower Theatre’s most successful show of the year.

So, last year was great. Onward to this one! The creative team added new elements to the process this year, extending the development and rehearsal time. 

The showcase includes four plays, and we all had dramaturgical input. We got to see earlier drafts of the plays at a preview night, limited to the creative teams working on them. Then I worked with the director and assistant director to further develop my script. 

My short play An IQ Test for my Birthday went through several rounds of edits as we honed in on story arcs and worked to make the dialogue reflect, as clearly as possible, the unusual scenario of strangers meeting to take a group exam.  

One directorial suggestion was to use improv to flesh out some of the scenes. So, I shuttled back and forth to London for rehearsals. The cast members, each of whom brought a new dimension to their character, acted out their own versions of my scenes. The director recorded their improvised lines, and we drew on them while editing the script. 

It was a lot of work, and a lot of working together. Last year, I handed in a script, went to one rehearsal, and then saw the final play onstage. This time, I felt almost like part of the cast. I went to a dress rehearsal of the four plays last weekend, and it was magical to watch them all come to life together.

The play is stronger for all that collaboration. It will be performed from December 12-16, along with the other plays in the Home-themed showcase. You can get your tickets here. I can’t wait to see it shine!  

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Keeping It Simple for NaNoWriMo

One of my writers’ groups had a recent discussion about how easy it is to make a novel too complicated. This is a challenge I encounter a lot. 

I love worldbuilding and complex ideas. When I attended Julie Cohen’s writing retreat in France, she called me out for it: “Keep it simple, stupid!” I need to be able to describe what I’m writing in a straightforward way. Once I’ve gotten to the essence of it, I can complexify from there!

I’m doing NaNoWriMo again this year, and I’m starting something new. My first idea was one I’ve dreamed about since the pandemic, set in a beautiful, complicated world. I’ve tried to begin it a few times, but I haven’t been able to make a plot work with these characters and setting.

I hope to write that story someday. It might be one of those ideas that isn’t quite ready yet, one that I will someday gain the skills to bring to life.

But I had a second idea while brainstorming. This one’s simpler and more straightforward. I know how to describe it and make it sound interesting to listeners. I know how to structure it. 

That’s the one I’m writing.

Do you tend to overcomplicate your writing, too? What do you do to keep things clear?

Here are a few principles that have helped me take my narratives back to basics.

  • Know what the point of your story is.
  • Be able to describe it in a sentence.
  • Know what the stakes are – and feel emotionally invested, not confused.
  • Pitch your story to others. See if it a) makes sense to them and b) sounds interesting.
  • Make sure you want to write this story. A novel is a commitment!

Happy NaNoWriMo. Here’s to keeping things simple!

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Happy One-Year Anniversary to Chasing Harmony!

My first novel, Chasing Harmony, has been out for a year now! It’s now available in ebook format as well as in paperback, which I’m excited about because it means more people can read it. It took 10 years for this strange, literary, bisexual YA coming-of-age story to find a publisher, and I’m grateful it has a good home.  

My publisher, Read Furiously, has been wonderful to work with. One reason I chose them is that they donate a portion of royalties to charity, primarily literacy charities. Some of you might remember that my first foray into publication was self-publishing two poetry books as a teenager to raise money for charities… back in the pre-digital era of the early 2000s, when self-publishing meant applying for a grant, giving your files to the printer, and having them print the books out! I got extra “imperfect” copies of my first book, Tears for the World, to sell, because a hair got stuck in the printing press. 

Tears for the World raised money for Farmers Helping Farmers, a Prince Edward Island-based organization which helps farmers in Kenya, while Fire in the Sky raised money for a local literacy organization. With Chasing Harmony helping a similar cause, I feel like things have come full circle. 

In this whirlwind of a year, Chasing Harmony has been featured in an Autostraddle interview, on Reads Rainbow’s lists of July-December 2022 LGBT releases and Contemporary releases, and on CLMP’s end of year list for children’s and YA books of 2022. I’ve written craft articles for DIY MFA on what I’ve learned from the novel: how to write a coming of age story and how to craft a novel with alternating timelines. And at the Conscious Living Center, I shared my process of facing personal shadows as I wrote.

Chasing Harmony has a Spotify playlist and a book trailer:

It always makes me happy when I hear from someone who’s read Chasing Harmony, especially if they connected with the characters. I poured my heart into this story.

Read Furiously has scheduled a virtual book tour to celebrate Chasing Harmony’s anniversary, and if you’d like a review copy to feature a review, guest post, or interview on your blog, you can request one from Goddess Fish Promotions here. There will also be gift card giveaways! Stay tuned for more on the tour which is happening from August 28 – September 22! 

Here are Read Furiously’s kind words on my book’s anniversary:

“Last July we introduced a wonderful young adult novel filled with music, vulnerability, and lost love. One year later, we are still haunted and inspired by Anna Stern’s search for her authentic self.

Happy one year anniversary to CHASING HARMONY by Melanie Bell. If you haven’t experienced the magic of Anna’s musical talent, or haven’t fallen in love with Liss, or danced with Ay-a in a forest kingdom, we recommend making CHASING HARMONY a must read this summer.

We have big plans to celebrate one year – stay tuned!

CHASING HARMONY is available wherever books are sold.”

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Want to Write a Book? Tap Into Your Weird Obsessions

What do you Google at 3 am? What’s that one odd thing you can’t stop thinking about, perhaps to the point where you have a hard time explaining to other people why it captivates you? 

If you’ve ever dreamed of writing a book, one starting point is personal interest. Scratch that: personal passion, obsession, or even unhealthy devotion. 

If you’re this fascinated by a topic or idea, you probably won’t get bored engaging with it for thousands of words!

And if you’re looking to build a career as a writer, you can mine your obsessions again and again. How often do you turn to a favorite author because you love the themes they delve into and the approaches they take? If you feel like you’re writing about the same things over and over again, that’s not a bug; that’s a feature!

Alternatively, it doesn’t have to be the same thing each time. It can be an obsession of the moment. Going through an insect phase? (See what I did there with the “bug” thing?) Maybe there’s a book in that. Researching cybersecurity? Ditto.

As I mentioned above, it doesn’t necessarily have to be a healthy obsession. One of the factors that inspired my novel Chasing Harmony was losing a lot of music competitions in my youth. Sometimes I’d wonder: What did the talented winners have that I didn’t? What was it like to be them?

This was one of many factors that got me interested in researching the stories and lives of musical prodigies, and eventually crafting a fictional character who shows early and astonishing musical aptitude. 

So, what piques your interest? What can’t you stop thinking about? Could there be a book in that?

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NaNoWriMo Was a Wild Time

I started NaNoWriMo (National Novel Writing Month) this November as an incentive to finish my fantasy novel, the one I’d been working on for a year and a half. At 55,000 words in, it was rolling along toward a conclusion, but it hadn’t gotten there yet. When I applied last year for a grant I didn’t receive, I listed November as a planned deadline for completing my novel draft. Without funding, I shelved some of my other project ideas, but I thought – hoped – the novel would prove doable, at least.

I’d found renewed energy for the project on my writing retreat in France this September. Our facilitator, best-selling novelist Julie Cohen, had told me the structure wasn’t working and encouraged me to restructure the whole thing. Which I did, one memorable day, with three colors of post-it notes sprawled across a bed. Those post-its now live in a notebook of mine, but it was an interesting experience to have them all over the furniture, and to think deeply about how my story needed to move forward.

Then, in October, I moved home, so not a lot of writing happened for a month. A lot of furniture shopping and adjustment happened instead. By the time November rolled around, my flat was furnished and felt more like an abode than an empty space. I was ready to come back to the novel.

Much like the writing retreat, so vivid in recent memory, I wasn’t sure how much I’d get done during NaNoWriMo. I’d done a version of it once, finishing a novella during lockdown in 2020. As proud as I felt of the novella at the time, that was 25,000 words, not 50,000 (as per the NaNo goal), and not all of them were written in November. (Although given the challenges of lockdown, I would give myself an A+ that year!) I even blogged about different ways of getting inspired for the monthly challenge, before attempting to tackle it myself.

But 50,000 words is a lot. I’d always side-eyed the challenge or thought it best suited to speedier writers than myself. I like to line edit as I go. Some writers speak of silencing the inner editor and writing a messy first draft. After doing multiple editing jobs, my “inner editor” is a professional with 10+ years of experience, so I usually find that her input makes my drafts better. Thus, I let her do her thing. But I came into this challenge believing that I wasn’t fast.

Here’s the great thing about self-awareness: it helps you navigate the world and find the right contexts. The downside is that the self you’ve invested in being aware of can change, and your understanding has to alter accordingly to keep up. Sometimes knowing your limits is a form of self-care, and sometimes it’s simply fear.

I had a relatively quiet schedule in November, allowing me to try the challenge. “I’ll finish my novel by the end of the month,” I thought, somewhat apprehensively. I suspected it would take less than the 50K to get to the end of my allotted plot. 

In fact, it did. It only took 32K. I finished it on the 15th of the month. 

My past self would probably read that line with goggle-eyes and ask, “How?!” The first thing I did was join the regional NaNo group. They had an online community where participants chatted and held events regularly. People seemed friendly, and it was exciting to be involved in something so intense with a whole bunch of other people, cheering each other on. There were two in-person events as well. I couldn’t make the first one, but the second, at the end of the month, was packed full of people typing furiously. The Municipal Liaisons brought stickers, an analog spreadsheet, a jar full of writing prompts, and a plastic dragon to place atop the laptop of whoever won the latest word war.

Most of our events centered around “word wars,” virtual sprints (using a tool called Sprinto on a Discord forum) where people join and compete to write the most words. I often enjoy writing in longer periods where I can focus and lose track of time, but the sprints proved useful and motivating. They provided accountability and a social aspect to the often solitary activity of writing.

Taking part in a few long writing days with the NaNo group resulted in a lot of writing. Once I finished my novel, I still had words – and half a month of time – to spare. Before NaNo, I’d planned a short story set in the same fantasy world as my novel but hadn’t had time to write it. I drafted that story – another 7,000 words. I still had more words left. I’d had a few ideas in mind for what to work on next, but I ended up starting something different and am now drafting a science fiction novel. 

My highlights of the NaNo experience were meeting a group of supportive and fascinating people on the Discord (and in person), finishing my novel draft (!), hitting 50K words on the 21st, and the intrinsic reward of devoting more time and energy to writing. It’s so easy to sideline personal projects. NaNoWriMo affords recognition to the act of committing to one. It felt really nice to “win” something, even if in practice, it means that I got… a virtual badge. It’s not every day that adults have a chance to get a prize, let alone one that validates doing something you want to do. 

For November Me, writing facilitated mental health. I write a little most days, and of course I write for my job, but November operated on another level. There was one day this month when I didn’t write, and it felt like a slump. I noticed that and wrote all the other days, even if the time was short and the word count was low. I also appreciated allowing myself long focus days when I didn’t push myself to get anything “more important” done. The bills and cleaning could wait until the next day.

Maybe I don’t always work as slowly as I’d believed. Maybe I really can be as productive as I imagined being… at least sometimes. My inner editor slowed down, but remained in place. I made more typos as I sped up, and then fixed them, for instance. And my hyper-focused month felt great!

I had a freelance project in late November, which pushed me to meet the word count goal more quickly once I realized it was feasible for me to meet it. I also attended opening night for my short play, which was part of a December showcase at the Tower Theatre. I kept writing small amounts of words and adding to the science fiction story as well as writing other things. I got feedback on the short story and was pleasantly surprised by how well others thought it worked despite the speed of its drafting. I also enjoyed meeting new people and hope to stay involved with the online community throughout the year.

So, I’d say NaNoWriMo was a success. I hope to do it again next year, and to maintain some of the writing habits I acquired in my daily life. I guess this old dog could learn new tricks after all! 

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My Play Is in a December Showcase

The Tower Theatre has become one of my favorite places in London. It’s that rare thing, an amateur theatre company with its own performance space. The plays are diverse and high quality, ranging from Shakespearean comedies to contemporary theatre about the Black British experience, from intimate monologue series to expansive productions like Coram Boy. I’ve been volunteering there for a year now as a front of house steward, and by now, it feels like home. This month I’m moving to Brighton, but I’ll be coming back now and again for events at the theatre. 

The Tower has also gotten me back into playwriting, which I haven’t done since high school, when I wrote and acted in a Christmas play about angels because I remembered an old play about elves and thought, “I can do better!” 

The theatre’s Writers’ Room, previously closed, opened up to new members recently, so I joined it. It’s a lively group of theatre nerds. Most of them are involved in multiple aspects of productions, such as directing, acting, or stage management.   

The Writers’ Room put out a call for scripts for a December-themed showcase of their members’ short plays, which will take place from 29 November – 3 December. I was excited to have my short play The Pictures of Dora Gray chosen as one of five featured scripts! 

The audition notice for the showcase summarized my play much more effectively than I could have, so I’ve included it here below. I enjoyed meeting the talented directorial team and look forward to meeting the actors who will bring my words to life!

Thank you to Colin Guthrie for the summary of The Pictures of Dora Gray:

“Dora Gray is a successful artist’s model, but has been less successful in getting her own art to be appreciated. Following a heart attack she makes a deal with Death – Death can take her beauty, as long as she is given mastery over painting. If it shortens her life, it is a price she is prepared to pay.

Oscar Wilde’s The Picture of Dorian Gray showed a man who was desperate to retain his beauty and cheat the ravages of life and time. The Pictures of Dora Gray shows a woman who is prepared to forgo her beauty if it allows her to become an exceptional artist. The play explores questions about the nature of art, beauty, fame and the way women are viewed in the male-dominated art world.”

So, if you’re in London in late November or early December, come check out the Writers’ Room showcase and find out what it’s like to make a deal with Death. I’m not going to spoil everyone else’s plays, but other highlights will include a guy in a polar bear suit, and revenge on a Prime Minister. It’s sure to be a good time!  

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