Author: Inspire Envisioning

July 7, 2021

Support Emerging Writers (and Me) in the Clarion West Write-a-Thon

How is July going for you? Mine is quite busy. Things are opening up more locally and my book projects are moving forward. My short story collection Dream Signs now has a release date – September 16th! I can’t wait to see it as a real book out in the world. One of the stories in the book, “A Limit to Growth,” is included in The Fiddlehead’s Summer Fiction issue (available for order here). It’s about math, art, and a jaded fortysomething woman who goes on a cybersex chat site.

I’m participating in Clarion West’s Write-a-Thon this month. If you aren’t familiar with the name, Clarion West is a speculative fiction writer’s organization that runs a six-week yearly workshop and offers other forms of writing education and support. Their mandate is to “support emerging and underrepresented voices by providing writers with world-class instruction to empower their creations of wild and amazing worlds.” I attended some of their online offerings during lockdown and enjoyed them very much. Several of my favorite writers teach there, have studied there, or both. In short, they’re doing fantastic work.

The Write-a-Thon is two things: an inspiring community for writers and a fundraiser for Clarion West. Anyone can sign up to participate and get access to talks from writers, a Slack channel to chat about your craft, and more. The Write-a-Thon runs until the end of July and you can sign up here to participate.

My goals for the Write-a-Thon this month are to write two new pieces, send out three submissions, and set up two events for the launch of Dream Signs this fall. If you’d like to support Clarion West’s work with emerging writers, or cheer on my writing goals by tossing a coin to your Witcher, you can do so on my Write-a-Thon profile here: Sponsor a writer.

And if you’d like a sneak peek at my story “A Limit to Growth”, read on:

When I was ten, I resolved to marry the first man who didn’t laugh at me for carrying math books around the beach. I’d explain to him about factors, how beautiful it is to look inside a larger number and see what groupings make it up, what small parts combined to make it breathe. I’d tell him there are patterns everywhere—in tree branches, in sand dunes, in the veins of our bodies—and math is one way to access their secrets. The power of numbers could course through us with the rhythm of the incoming sea, and we would know infinity. Until then, I’d keep this love to myself, nestled close like a tiny animal.

It’s been three decades now, and the math outlasts the men every time. After Alan, John and Dan, I gave up on love and tried the sleeping-around thing. I’ve watched man after man melt to sweat in the evening, and my memories of them are ephemeral. There are only so many you can wake up beside without confusing their names, only so many off-centre attempts at pleasuring you can endure with a straight face, only so many times you can consent to faking it and only so many times you can be accused of faking it when you absolutely aren’t and only so many times you can tolerate a stranger calling you Sweetie before you’re looking more forward to a cup of mulled cider at your place than another encounter.

June 9, 2021

“Loveless” for Pride Month: A Book Recommendation

Happy Pride Month! This June, I’d like to acknowledge and celebrate a book written by one of my favorite YA authors, Alice Oseman. Loveless is the story of Georgia, a relatable college student who is obsessed with the idea of romance and an avid fan of fictional relationships, yet she has never had a crush. She begins school seeking her own love story, only to discover that she may be aromantic and asexual, and that much love is present in her life in unexpected forms. It’s the first aro/ace coming out story I’ve read, and one of the first published. It’s also the well-deserved winner of the YA Book Prize.

I was anticipating this book before it came out (pun intended as it’s a coming out story. I know, I’m so funny. :P). I don’t identify as ace or aro. However, learning about asexuality was important for me as a way of recognizing and acknowledging instances where my culture expected attraction or interest and there was simply nothing there. Who and what we desire and say “yes” to is important knowledge about ourselves. The knowledge of our “nos” is equally important.

Last year for pride month, I wrote and shared with the Attic Owl Reading Series a poem about recognizing our “nos” in anticipation of Loveless’s publication. I’m delighted to say that the book surpassed my expectations. It’s a celebration of different forms of relationships, with characters that feel alive. It’s got great jokes, a Shakespeare society, and pool noodle fights. Check it out if you have the chance!

Thank you, Alice Oseman, for sharing this honest and affecting story with the world.

May 5, 2021

Announcing My Short Story Collection, Dream Signs

My debut short story collection Dream Signs is coming out soon with Lost Fox Publishing! You can read the press release here. It’s the culmination of over a decade of writing, a blend of realistic and fantastical fiction. The publisher has been great to work with and I can’t wait to see this book out in the world.

In their words, “Dream Signs is a grand collection. Switching between realistic and fantastical fiction, even blending the two at times, its themes are as poignant as they are epic, unified by Melanie’s unmistakable voice. In it you can find stories concerning coming-of-age and self-realization, unequivocal compassion between human beings both romantic and platonic, and the journey her characters take on to embrace their new challenges in life as they come to terms with who they really are. Different narratives weave in and around each other, each their own seminal chapter in the lives of their characters, bringing you back and forth between what has been and what must be done in order for them to live out the lives they want to live.”

Get ready to meet candy makers, sex workers, sisters left behind, scholars attracted to ideas rather than people, sentient AIs, and queer ladies fighting geological dragons.

Between this announcement and the publication of Hard for Hope to Flourish featuring my novella “The Cliffman” (with a recent “Meet the Author” interview here), it’s been quite a literary year.

I have two other books under contract over the next couple years, including a children’s chapter book with Lost Fox. Stay tuned for further announcements!

April 14, 2021

Where to Find New Book Discoveries and Deals

During London’s third lockdown (with restrictions just beginning to ease recently), I read more than ever. Books provided solace and escape into other worlds. I took full advantage of library loans and collected e-books, keeping my eyes peeled for deals and new discoveries.

If you devour books more quickly than popcorn, or simply aspire to read more, here are some of the ways I’ve found new books to read this year that you can use too. I hope you enjoy discovering new authors and filling your shelves!

Libraries: Let’s start with the obvious place. Public libraries are full of wonderful free reading material, and in many cases, digital collections have expanded during the pandemic. The user-friendly Libby app will let you download ebooks and audiobooks on your phone, computer or ereader, and some libraries offer click and collect services for physical books even while closed.

Little free libraries: You may have one or more of these in your area. They’re tiny structures where people put a selection of books and neighbors can take or leave a book. They often look like cute little sheds or birdhouses. (Naomi Kritzker wrote a fun story on Tor.com about a little free library that connects to another world – I’ve yet to encounter one of those, though!) Similar places to find books are book exchanges (some buildings and workplaces have shelves of these) or free book bins (some bookstores have these where they leave old stock that hasn’t been sold for passers-by to discover).

Social media: Following authors, publishers and other book industry insiders on social media will keep you informed about upcoming releases you might enjoy, book sales, and giveaways. I’ve found Twitter to be especially informative, with authors sometimes posting links to free ebooks for a limited time, and lots of buzz about titles I’ve discovered and enjoyed. Author newsletters can also be interesting, with some of them giving access to free stories you can’t find elsewhere.

Book festivals and events: With many of these now taking place online, people from all over the world have access to a wide range of book events (and if you can’t make it due to time zone differences, the event might be posted on YouTube for you to listen on your own time). You can hear authors talk about their books, learn what’s going on in the industry, and discover new reads. Sometimes there are sales or deals on offer as well.

Book bundles: Places like Humble Bundle and StoryBundle offer pay-what-you-want packages of ebooks grouped by theme. You might find cookbooks one month and mysteries another. Humble Bundle also offers bundles of games, software, and other digital content, and you can allocate some of your payment to charity; StoryBundle’s content is completely DRM-free. If there’s a themed bundle that appeals to you, it’s a wonderful way to find new books and authors that have been vetted for quality.

Giveaways: Above, I mentioned that there are sometimes giveaways on social media (“retweet this giveaway and I’ll pick one person to win these books”). A lot of indie authors also have series first books available as giveaways. You can also check sites like BookBub or Freebooksy for daily deals.

Note that I haven’t mentioned bookstores, including used book stores, as they’ve been closed here, but they’re good places to find new books as well, often have sales, and many booksellers give wonderful recommendations. I also haven’t mentioned websites that post “books” online for free, as many of them are involved in piracy and undermine authors’ ability to make a living off their work (whereas libraries, for instance, pay authors when their books are borrowed). A lovely exception is Project Gutenberg, which offers classics in the public domain for free download online and also has a self-publishing press.

Where do you like to find new books and deals on books?

March 3, 2021

Excerpt from my Forthcoming Novelette “The Cliffman”

I’m delighted to announce the publication of my novelette “The Cliffman” in Hard for Hope to Flourish, a Midnight Bites collection of three chilling novellas from Crone Girls Press. The e-book comes out on March 11 and you can pre-order it now. If you like dark fairy tales, supernatural beings, and complicated sibling relationships, “The Cliffman” has got you covered. The other two stories involve a man hearing voices and a disappearance in a marsh. “Literary tales of quiet horror,” as the blurb says.

Below is an excerpt from “The Cliffman.” Enjoy!

The Cliffman

He stood as children raced across the lap of the sand, as half-grown feet tore up marram grass which tore them in turn, as dusk gave way to moon and brambles on the periphery to raspberries, wax-leaved tufts to cranberries. He stood as tourists in visors shed tears over sand-spilled ice cream, as lovers tussled in cliff-caves or took to their vans, as the ozone layer thinned almost imperceptibly, as crabs tracked. It wasn’t often he could do anything but see.

* * *

See: two girl-slivers, wind-haired, seated on driftwood. A mother grown as a full moon, instructing: this thick viscous seaweed is kelp, this edible kind dulse. Tides are caused by the moon, and erosion happens as rocks wear away under sea. These are cliff swallows and this, running in the sand with its funny stilt legs, the rare endangered piping plover.

The mother was a teacher during the school year, and every summer day she taught her own girls. The father wavered between office days and sofa chair nights, never quite there, which made the older girl feel smaller. His driftwood books cluttered the table—covers with complicated spaceships, pearly moon-cities, knights in tall helmets.

* * *

“It would be nice if you’d interact with your own children,” the mother said.

“And what type of interaction do you expect? Everything has to be a lesson with you.”

“At least I spend time with them.”

Dishes clattered in the sink. The girls said nothing.

Here on the map was North America where they lived, here Africa, Australia, and this big lump on the bottom Antarctica, too cold for people. Here the first page of a bedtime story—sound it out.

A half page in, their mother fixed things: “Night, not kuh-night. The k is silent.” The younger sister squirmed away from her storybook. The older, unnoticed, shrank into the pillow.

Add up the change in the change jar. Take these toys and divide them between mother and sisters (not father who was never in the games even when home from work, and that was expected, accepted). The older sister loved these number games best, and took to playing store with the younger and counting out change. Numbers were regular, soothing as the tides. She took to counting by twos or fives or humming multiplication tables to carry her to sleep.

The younger sister collected feathers which she kept in a jar in her room, arranging them until they were almost perfect. She was a talker, so she made friends with most kids she ran into. Sometimes she made enemies, which was interesting, too, because she and her allies would make war against them with sticky beached jellyfish and handfuls of wet sand.

The older sister wondered how it could be so easy for the younger to just walk up and join the rush and noise. The kids bickered like her parents, their games as fleeting as the family’s yearly moves from house to summer cottage to house, trailing clumsy suitcases. When they asked her to make war, she ran into a cliff cave and watched crumbs of sandstone crumble from the top. She was happiest on her own, listening to seashells and looking carefully for patterns in the rock, cradling the notebook in which she kept track of inventory for her Someday Store. The tourists who flocked to the beach would buy everything.

On the day the two sisters were walking hand in hand and a voice boomed at them from out of the cliff, naturally it was the younger who answered.

“You think you know everything about this beach, don’t you?” That was the voice, presumably some man they couldn’t see. Full-throated. Presumptuous. Unremarkable enough.

The younger sister was indignant. “Of course we don’t! But I think we know a lot.”

The voice responded with a rumble that could have been a menace or a laugh. The older sister thought she felt the sand quaver beneath her feet. Being the more practical of the pair, she asked, in spite of her uneasiness: “Who are you anyway, and where are you?”

“Look above you,” the voice said.

The girls’ small heads poked up. There atop the rocks a figure stood. His skin was the red of island sandstone, and it was hard to tell if the earth-colored folds around him were clothing or some draping extension of his body. His face was rough, like the mock faces one sometimes finds worn into rocks, and he stood larger than a human man by half. He was still, dignified in the manner of stone and ocean. The sisters found him half-formed, masklike, hideous. How to speak to a person that was not a person but a walking mass of clay?

If you enjoyed this excerpt, you can order your copy of Hard for Hope to Flourish here.

February 10, 2021

So You Want to Write in Lockdown?

How are you all doing? Here in London, we’re well into lockdown #3. Remember lockdown hobbies, and the optimism with which some people took up making homemade sourdough bread and learning new languages? If you’re like me, enthusiasm for indoor activities has waned a bit by now.

Writing is one of the things keeping me going as I work from home, socialize (as much as it’s possible to do so) from home, and veg out… all in the same general vicinity. As much as it can be a source of vitality and energy, though, it can also be hard to do consistently during this time. And people wanting to try writing for the first time while their lives have moved indoors face the additional challenge of getting started.

Here are a few things that have energized my writing at one point or another during the quarantimes.

Write socially

When working on my first book, I went to Shut Up and Write sessions where a group of writers gathered, chatted briefly, and then got down to the process of quietly writing. Sessions were timed, and with other people doing the same thing around me, I got a lot of work done. I’ve benefited from finding similar group writing sessions over Zoom where friendly people encouraged each other, shared resources and updates, and provided accountability.

Try something new

Last year (during lockdown 2), I did NaNoWriMo for the first time. I tried writing something in a new genre (romance) and format (novella). During lockdown 1, I read about short nonfiction writing, tried pitching a big publication, and ended up writing something for the Huffington Post. Setting challenges for myself and trying new things kept the writing process fresh and interesting.

Find a critique partner

Having someone else to exchange writing with keeps your manuscript from languishing forever unseen in your files. I found a fiction critique partner through social media and have been swapping work with her ever since. Having someone intelligent and responsive to exchange feedback with has been helpful and encouraging, and means I’m writing more.

Take advantage of your personal schedule

If you’re working from home now, like me, you might have gained time back from your daily commute. Try scheduling writing in that now-freed calendar space. Another way of taking advantage of your schedule is knowing your body’s clock. I’ve been reading about chronotypes, or the variations in people’s biological clocks, and recognizing why I’ve never been one of those people who got up and wrote early in the morning. I don’t have to be! We all have different times when we’re at our creative and productive peaks, and maybe learning about yours will help you get more writing done, too.

Write about what you’re experiencing

During the pandemic, I’ve helped process the stress of a radically changing life and environment by journaling (i.e. inelegantly venting about everything) and writing poems about the virus, Zoom calls, and shifting restrictions. It’s been a wonderful outlet.

…Or not

Sometimes I just want to escape the 2020s. I’ve found solace in writing fiction set in a pre-COVID world and in other, imagined worlds. Do you wish you were somewhere else? Writing can take you there!

Have you been putting pen to paper or fingers to keyboard in lockdown? What keeps you writing?

January 1, 2021

Book Review: The Four Tendencies

My January blog posts attest to my fascination with New Year’s resolutions, the goals and intentions that some of us set each year in the hope of making the coming year (or ourselves) better. After the coronavirus pandemic dashed many of our plans for 2020, I wonder how many of us will make resolutions this year. Maybe some of us will focus on taking care of ourselves and each other during this difficult time, or on just being ourselves. But for those who share my perverse fascination with goal setting and change, I found a book this year that offered me some valuable perspective.

I first encountered Gretchen Rubin’s Four Tendencies framework years ago, took her quiz online, and promptly forgot about it. Then, during England’s second lockdown this year, a mention of the book prompted me to look it up again. I was struggling with some changes I wanted to make in my new, working-from-home life, but I wasn’t making them. I didn’t know how. I asked myself, not for the first time, “Why can’t I change? Why can’t I get myself to do the things I know I should do? Why do I let myself down?”

Enter Gretchen Rubin, who has written books on happiness and habit formation, and maintains a popular happiness-focused podcast. She created the Four Tendencies framework after observing differences in how people respond to expectations. One of her friends was able to run with a track team but not by herself, for example.

The Four Tendencies book posits two different types of expectations: inner expectations, or the goals and standards we have for ourselves, and outer expectations, or the things that other people and external systems expect us to do. Rubin found that people respond to these different expectations in four different, and predictable, ways.

The people she calls Upholders meet both inner and outer expectations. Questioners meet inner expectations and question outer expectations, choosing to do what others expect only when it makes sense to them. Obligers (like her friend who wanted to go running) meet outer expectations but not inner expectations, while Rebels resist both sets of expectations. There’s a lot more detail about how these four categories work in the book, as well as on Rubin’s website.

Rubin’s book offers thorough chapters about what each tendency means and how it works, along with chapters on dealing with each tendency. Like books on the Enneagram, the personality system I’ve been using for over a decade, it can be read as a self-help book, and/or used to understand how to work with other people. Medical personnel, for instance, have used her work to motivate people with different tendencies to follow their recommendations.

Helpfully, the book begins with a quiz for identifying your tendency. From there, if you’re an Upholder, you’ll discover ways to manage “tightening up” and learn how following rules can paradoxically bring freedom. If you’re a Questioner, you’ll find tips for overcoming analysis paralysis and finding reasons for doing those irrational things you need to do. If you’re an Obliger, you’ll learn about how outer accountability is key for you – and how to build it into different areas of your life to do the things that you want to do, rather than burning yourself out by doing what others want. And if you’re a Rebel, like me, you’ll learn about motivating yourself by following personal desires and identity, and how to cultivate a sense of freedom in meeting goals rather than obligation.

I love how the Four Tendencies is a practical and focused framework for change. The book offers strategies that work with our “autopilot settings,” and thus it might be called ego supportive. Yes, we can all be more mindful and present, but the book’s suggestions don’t require that. It meets us where we are and gives us how-to’s for accomplishing what we want to accomplish.

As useful as the Enneagram has been for me, it’s a descriptor, not a toolkit. It suggests that as someone whose personality follows the Type Four “Individualist” pattern, I benefit from bringing discipline and structure into my life, but it doesn’t give any nuts and bolts about how to create structure, or how to get myself to follow it. The Four Tendencies actually gave me some of those nuts and bolts.

When it comes to change management, different people have different needs. I’ve spent a lot of time hoping to find a perfect source of accountability to get me to act differently, so it’s a relief to learn that accountability isn’t an effective strategy for me – it just feels like pressure, which I then resist. I’m equally recalcitrant with myself, declaring that I’m going to do something while an internal voice intones “Yeah, yeah, I’m not gonna.” Since reading this book, I’ve focused on taking power back into my own hands. Rubin writes, “Rebels can do anything they want to do.” The key for me is to focus on wanting rather than having to. When a sense of determination drives me, I know that I’m going to get that thing done. When I hear “Oh, yeah, yeah, sure,” I either let myself off the hook or dig deeper until I find that sense of determination.

2020 brought a lot of events we had no control over, and 2021 is looking to unfold in much the same vein. If you’re looking for a book about making changes that are within your control, The Four Tendencies is a good one.

December 2, 2020

My First NaNoWriMo, or How I Wrote a Novella in a Month

I’ve posted before about NaNoWriMo, but until 2020, it was one of those things I’d thought about but never attempted. I was usually busy, and more crucially, I’ve never been fast. I’ve completed novel manuscripts, but writing 50,000 words in a month seemed like a daunting task. I was happy to cheer on other, more ambitious writers from the sidelines.

This year I spent November in lockdown. It seemed like the perfect time to give the challenge a go. I had a few opening chapters of a novella lurking in my folders, waiting for me to finish it, and I decided that NaNoWriMo would be my motivation to do that. I wasn’t sure if I’d write the full word count, but I saw other writers blogging and posting on social media about the progress they made from participating, whether or not they met that tally mark. Some used it to revise or meet other goals, like I intended to do. The tent seemed expansive and friendly.

This manuscript is the first time I’ve tried to write romance as a central focus. It’s also the first time I’ve attempted a novella, although I’ve thought at points that it might turn into a novel. It started out with two points of view, but feedback from a reader suggested that one was far more interesting than the other, so I rewrote the first part to focus on that character. I scrapped my outline and wrote by the seat of my pants, coming up with some of my ideas on long morning runs. It turned out that letting my mind wander while exercising was a great way to find inspiration.

What worked for me? Not, it turned out, joining online communities or engaging with the many passionate writers posting in great detail on forums and chat rooms. It’s wonderful to see so many passionate people creating, and I’d expected to find it motivating, but instead it gave way to something like Zoom fatigue. I joined a few groups and quickly became overwhelmed. Instead, I focused on the story I was telling. Maybe I’d socialize about it later, when it was done.

Complicating things, I had some serendipitous work projects come up for the month, so my time wasn’t as open as I’d expected. My writing stopped and started around other commitments that I didn’t want to forego. What helped throughout all that was writing regularly, in little bits almost every day. I felt closer to my characters’ lives. It was a challenge to write a new kind of story in a new genre, but word by word, it came together.

I allowed my usual writing process to take the forefront, editing as I go. That’s usually seen as a “no-no” for writers during speed events like this one, but when I tried to draft with more of a stream of consciousness, I missed letting my editorial mind improve things. I’m an editor by trade, and it turns out that I value letting that skill set shape my work. It makes the next draft smoother.

The last day was a milestone. I’d set a 25,000-word novella mark by that point and wasn’t sure if I’d achieve that word count or finish the draft. Animated by the frenzy of a student with a due date, I wrote into the evening. The story wanted to tell itself. It knew where it was going. Soon, I reached the end.

It helped to have a deadline.

I’m delighted to have given NaNoWriMo a try and met my personal goal. It was a great experience, and one I hope to repeat. NaNoWriMo writers out there, how did things go for you?

November 4, 2020

Books I Read During 2020 That I Wouldn’t Have Otherwise

In 2019, I read a lot, partly thanks to gift cards that let me buy harder-to-access books I’d been wanting to read for years. I’d thought that in 2020 I’d spend less time reading and more time doing things. Then March happened.

The gist of it is, lockdown left me with a lot of reading time, and several authors generously offered their works for free. My TBR pile has only gotten longer. It’s been fascinating to get acquainted with authors I wasn’t familiar with and to read things I wouldn’t otherwise have accessed. Here are a few unexpected book finds of 2020. I hope you find them as comforting and fun as I did.

The Murmur of Bees by Sofía Segovia (trans. Simon Bruni): As COVID-19 made its presence known in Italy, I began a novel that turned out to chronicle the Spanish flu. A Mexican family takes in a disabled child who has a close relationship with a swarm of bees, and a compelling magical realist tale unfolds from there. The parallels between the pandemic I was reading about and the one whose impact I began to experience simultaneously were both unnerving and comforting.

Mr. Hotshot CEO by Jackie Lau: I’d heard good things about Jackie Lau’s Chinese-Canadian rom coms set in Toronto, and jumped at the chance to read one offered for free at the time. A young, workaholic CEO’s nosy family enforces a vacation, and he hires a woman he sees at a coffee shop to teach him how to enjoy himself. This is foodie fluff at its most enjoyable. I swear, you will want to eat (or bake) every meal and treat in the book. It also has excellent “own voices” depression representation.

The Perilous Life of Jade Yeo by Zen Cho: Zen Cho is an elegant writer, and her historical novella is still free, so read it if you can! In the 1920s, a Malaysian writer in London writes a scathing book review – and attracts the author’s attention. This slim read is packed with curiosity, romance, scandal, and a delightful epistolary voice.

Noodle Trails by Eileen Kay: A travel memoir about Thailand by a Scottish writer. Following a divorce, Eileen Kay retreats to Thailand, home of the suppliers of her now-faltering fair trade import business. This true story of a woman getting back on her feet in rough times is witty, joyful, and a lot of fun.

Three’s a Crowd and Other Family Stories by Kate Blackadder: Sweet and entertaining, these are traditional family stories with a twist. In this Scottish writer’s short fiction collection, you’ll meet funky grandparents, refurbished bikes, and Ceilidh bands. This was great for those days when I had a short attention span, as I could read one story at a time.

Winnie and Wilbur Stay at Home by Valerie Thomas and Korky Paul: A timely (at the time) free picture book, and part of a popular series about a witch and her cat. At first, neither are thrilled about having to self-isolate, but with a little magical help, they find things to do. At the end, there are links to resources, including yoga and recipes.

Shady Hollow by Juneau Black: Given the popularity of Animal Crossing, maybe you, like me, would be interested in reading a murder mystery set in a charming town of talking animals? Intrepid reporter Vera Vixen takes it upon herself to track down the murderer of the resident swamp toad. This cozy mystery is well executed and extremely fun.

What have you been reading for fun in 2020? Have your tastes changed? Have you read anything unexpected?

October 6, 2020

The Joy of Playing with Tropes

This month, I had a very short dragon story published in Contrary, one of my biggest literary bylines. I love dragon stories. I used to think they weren’t “serious literature,” and when I submitted for awards, I’d send pieces about death set in the “real world.” Meanwhile, I’d write secret stories about magical creatures and realms. I’ve since learned that this separation between “serious” writing and “fun” writing is artificial and counterproductive. Life is short! Write the things you love!

Just like we crave certain foods, readers can get cravings for specific types of books (and writers might crave writing them). Sometimes you just want to read about fake dating, an intrepid sleuth, or a magic sword. Cliches? Not necessarily! Storytelling thrives on tropes, and we all have favorites. Christopher contends that there are only seven basic story plots, with others citing three or six. Within variations of these stories, motifs repeat themselves. Popular motifs can become tropes.

Bad storytelling and stereotypical use of tropes can give them a bad name. Think of how many Disney villains have been given queer coding, with certain mannerisms being shorthand for characterizing them as as evil. And books in the same genre can sometimes draw on tropes to the point of predictability. But while some uses of tropes are actively harmful or simply tedious, tropes themselves are valuable storytelling tools.

It’s all in the execution. As a writer, you’re telling your story. You get to make the decisions about what tropes you use, how, and why. You can use favorite tropes as inspiration, the way Yoon Ha Lee did when writing Ninefox Gambit (“I’d been nosing about the TV Tropes website, specifically my favorite pages, Moral Event Horizon, Chessmaster, and Magnificent Bastard”). If you’ve run into writer’s block, you might try using tropes as prompts and mixing them up in unexpected ways, the way Jim Butcher did in the Codex Alera series, accepting a challenge to combine Pokemon and a lost Roman legion! If you really, really want to read a story about, say, found family and flying saucers, that might be a good reason to write one.

Here’s another important context where authors engage with tropes: when there’s a type of story that they love, but they don’t see people like themselves in stories like that. Recently publishers have been making strides towards diversifying their catalogues, with increasing attention being paid to “own voices” stories. To give two recent YA examples, you can now read a Black Cinderella story (Cinderella is Dead by Kaylynn Bayron) or a retelling of the myth of Orpheus and Eurydice in a contemporary Latinx context (Never Look Back by Lilliam Rivera). Are there any tropes you feel compelled by but excluded from? Try writing yourself (or someone like you) in.

Tropes can comment on contemporary situations. I recently read Nevermoor, a popular middle-grade fantasy by Jessica Townsend, and found it rich in both tropes (the Gothic manor, the eccentric mentor) and uniqueness (the giant cat housekeeper, the umbrella-based public transit system). Most powerfully, the young main character, Morrigan, is brought from an unsafe country to a safe one, and pursued by police who call her “an illegal.” This pointed comment on immigration speaks to the fictional context while reflecting on real-life issues.

Who gets to fall in love? What makes a person exceptional? What skills solve a mystery? What does horror look like? Who gets to travel to another world, and why?

That’s my challenge to you this month, writers: Play with some tropes that intrigue you! Don’t be afraid to get weird and hyper specific. And if you like, let me know what emerges.